Focusing on the construction of female identity, Entre Quatre Murs, Berlin is a series of compositions of women and space. This sequence of three-dimensional portraits transparentizes the female body, as Nathalie interweaves her subjects with their surroundings until the distinction between self and environment all but disappears. Each scene seems a microcosmic snapshot of the mind, as the bounds between these women's external world and interior self dissolves. Each image is a composite, the elements separated and printed on layers of transparent orthochromatic film. By superimposing these layers, the image is reconstituted 3-dimensionally.